Bagatelles

1


Out of the mist she made
diaphanous (a swirl
round trunks in Doric
mode) a girl stepped

brightly

white cloth
rent
red palms
turning for that
sorrowing One

star-crossed

a kantele's
hollows sounded
tears pearled
blush

diamonded




2


green or
greenish blue or
aquamarine
not precisely turquoise

( though you sacrifice
the sweeter sound
or, rather,
not; but ) regardless.

to the surf extend
your flattered nail
with flaked paint

kerchief bellied behind
in brine ~ wind
where bicycles collapse
also that same

sickly green of coffee cups
and telephones
{starfish}
California




3


Southwesterly
a wooden bridge
spans
a gulley or wash

I see from below
under the sun small
as a star
night-time horns

swing gold to
silver
trumpets

straight roads
clear signal




4


thickets bristled
glossed nylon
pushed
cotton convex

here
stood beauty pure
unspoiled by
palaver

hip curve belly-
hole
cleft




5


like seeing
(not making)
a mountain move

deep earthly center
the stink of life---
[but that's a botch]

---of living: that mother-
ing essence
liquid & solid.




6


infinite regress, reduction
to You
ineffable

One:
one

least gap between
fingers holds
doubt's bounty
Stretch further,
harder.

A Light

Winter comes with tapered days
and wreathes in muffled whites and grays
all hint of color; the distressed
trees shiver now, like girls undressed.

The glass that hardens on the lake
looks almost deeper than the ache
in these two hands that hang like chains,
all Summers rifled from the veins

where fever burned some time before,
before the closing of a door,
before the silence and the drouth
of a blasted heart, a barren mouth.

Step forth, snow-mantled Death, and strew
your blight upon the living, brew
up storms, that all the birds take wing.
You'll be a fool again, come Spring.

In the Transit Authority

Like covered picures in a gallery,
a row of several vaguely-human shapes
make odd adjustments but are usually
as lifeless and immoveable as grapes
in some old still life; others cling to phones
and seem the more entitled to the space
they occupy with cocksure breath and bones;
for when they lean, it's with a certain grace
that says their poise is merely temporary,
like lines that hesitate before their ends,
as if to movement all were secondary:
the measure greater than the repetends.

Vanity

Amid the clack of teacups, clink of spoons,
clean, patterned table cloth and lemon rinds:
your hands, midsummer-bronze, long-fingered hands.

Was it a dream, or did your hands pronounce
those rites of morning, near the open blinds,
amid the clack of teacups, clink of spoons,

with all my body stirring? What sweet dawns,
to be awakened by the brooming fronds
of hands, midsummer-bronze, long-fingered hands.

Yes, I believe. Imagination reigns.
There is no other ear your touch commands
amid the clack of teacups, clink of spoons.

Let the mind falter while the heart contends
it is not reason now that recommends
your hands, midsummer-bronze, long-fingered hands,

but vanity, that never comprehends
the silence. No, I never heard them once,
amid the clack of teacups, clink of spoons—
your hands, midsummer-bronze, long-fingered hands.

Villanelle

I do not care for Villanelle
no, not in any circumstance:
She cannot tell a story well.

She weaves a strange and moody spell
on some obsession or romance
I cannot care for. Villanelle

will not inspire me or compel,
but merely leaves me in a trance.
She cannot tell a story well.

And one can spy the little belle,
her echoing footfall, at a glance.
I do not care for Villanelle.

She is a witch, her ways are fell.
Your patience doesn't stand a chance:
She cannot tell a story well.

Avoid the little mademoiselle
and send her packing back to France.
I do not care for Villanelle,
She cannot tell a story well.

Arcadians' Lament

Alow us now a moment to complain:
(What better means have we to pass the days?)
Now in gold leaf, the trees, once evergreen,
bow in remembrance, and their trembling boughs
no more are sweetened by the cries of birds.
The land is like a wizened bone that aches,
and in the sky a gauntlet of gray clouds
comes slow but sure, and the sun rarely breaks.

What light will feed us when the world is dim?
Apollo, now we pine through blasted groves
because your makers bang a barbarous drum
and damn themselves in mordant expletives,
who find in slag a stuff to cry their spleen
and curse whatever once was gold or green.

Separation

I go out alone and strain
my neck to find him
leaning aslant,
aiming at star clusters.

The sky is mostly guessed at
along this desert drive
where long palm fronds
hide giants from me,

rooftops eclipse galaxies,
hills truncate constellations.
I think of a pool I've seen,
so still it makes a bright

oval in the ground,
and of a child at the brink
who makes his shy contact,
eyes lowered on Orion.

Ojos

Watermelon seeds
currants
capers

shapeshift in eggwhite
The television
spells them

black fringes
lightly painted
flick like

jimmies
I would eat you:
eyes first

Mid-life (A Miniature)

Penny-whistle-
little siren:
Singing kettle's
heavy iron.

Lemon's sour
sugar sweetens.
Sleepy hour,
birds sing matins.

Click of tea cup
in a saucer.
Fingers pick up
dog-eared Chaucer,

Switch to Shelley,
tickle baby.
Spread the jelly.
Happy? Maybe.

Vanishing Act

Yesterday she lost
her arms. The sleeves
of her winter sweater
hang slack and cold.

She cocks her head
above the snug
turtleneck collar:
I imagine the missing mouth,

lips turned upward
at the cheek
she offers for a kiss
I manage like an uncle.

Parts that remain slip
from my hands like leaves.
I'll have to gather and burn them,
sweep her shadow out the door.

Little Things

Sometimes when it strikes
you're sure
there's poetry in it:

an epiphany
with full accompaniment,
all the ahs and amens.

A poem by Anne Carson
about a blue cardigan
was found in its file

behind my eyes,
an important file
in high memory,

when my son toddled
into the room,
eyes wide with discovery,

bringing me
a crayon
and a spoon.

 - about, and for, my beloved and precious Jordan. Thank You, LORD, for my beautiful sons. Edited in 11.15.13.

Danger

Gloves dusted with snow,
dry in a pristine freeze;
hard and tight-knit crystals
frill a beard and facet eyebrows.
Miles away an animal halts
and zeroes the wind, noses
air that fails to pierce his hide
though made of razor edges.

Boat jammed among bergs
means downtime, deadlock;
eyes, those famished maws,
study and feed as they flick.
A fresh red current slides
clean along the tundra,
pushing the great white fisher
like thirst, or thunder.

Tennyson (A Vision)

I met the giant tending in a garden,
bending his too-small body over flowers;
his hands were much too gentle, and too tender.

The hair that curled about his chin was clipped,
and not the beard that I had dreamt: the broad
and silver mantle round a master's mouth.

Under the brows that slanted thick and heavy
as saturated clouds, the deer-mild eyes
(that seemed so sick of honor they could close

and lose no shred of brightness) gazed on darkness,
a kind that I had not been given to see,
that eyes in portraits gander sidelong into,

and through; the night that is the sum of griefs
past revelation or solace. When I woke
The sun blazed. I'm too easily consoled.

Thrills

For Jim Walker

It had been years since I'd last seen you.
We took a walk out back, over the hill
that used to moan and rattle with the song
of a tweaked and obedient engine.

You walked me through paths so overgrown
it took you a while to find them, but the ruts
engraved by tires were still there,
permanent as the grooves at finger-joints.

Smacked by weeds higher than my head,
where gnats were making their own weather,
I could hear the pop and blare of your old bike
wrestling with the ground, your Rosinante.

Once you sailed over the bars and broke
both wrists; you showed me the odd bends,
not proudly, like some Finn or Sawyer,
but with a fear that stopped a racer.

You never rode a bike again
but turned your bent for the blur
of sliding landscape and the song of gears
to a little saffron Karmann Ghia

that could stick to curves at sixty
and look blistering in neutral.
That night you missed a deer by inches.
Your foot never touched the brake.

Still Fishing

I'm not a fisherman. My hands
never smelled of ponds,
never glinted with the odd scale
stuck from a fast knife-scrape.

I was a fool with hooks,
never found a decent balance
in a rocked boat's belly,
fell and knocked the oars askew.

My crude, left-handed casts
left bobbers in bushes,
wrapped line in tree-limbs,
flung worms to owls.

"It's not everything, fishing.
You'll be good at something."
The boats sit on the water
like.... boats on the water.

Pulp Romance

On the cover a sky blooms
with heavy weather,
a woman's eyes gaze black
and wide at a boat

on water too blue
to be believed, or a flotilla
of swans. The gazebo
behind them, having already

been attained, loses relevance
in milky pastels; ivy
crawls through washed out
lattice-work.

Her head tilts, at her ear
the groomed mustache,
the cleft of a moneyed
mouth flushed and fed.

Aunt Mary opens the book,
opens the floodgates,
grows old with eyes ticking
in a wreath of light.

Lamentations (A Haunting)

  When I put on my gown
to shed my grief in linen
that softest hands once smoothed
and folded, in this wide
    and desolate bed
  I fly from eiderdown

  to rows of hills that lie
under the vault of stars
among the scent of flowers
that blossomed far away,
    where few find rest,
  and few go willingly.

  She waits, my slender love.
I dare to stroke a cheek
as bloodless as old lace,
proffer a touch she fends
    and steal a kiss
  she now is chary of.

  Beneath her tattered dress
a fluttering has stopped:
a still bird with still wings;
and yet she moves and breathes,
    and static tears
  shine on her tintless face.

  Why am I taken with
the hands that smell of earth,
the absence in the breast?
When far winds in her voice
    moan, when I hear
  the winter in her breath?

Harvest

You slide through steam and softly hum among
the hiss of boiling, bite and purse your lips
over a stew of scents, your hands at whisks
and spoons, a sullied blouse. Your slender hips

cock at engaging angles, bones in cotton
knob sharply; fabric shows what it conceals:
covers your bottom like an oil, and thins
to nearly nothing when you bend, reveals

a tender absence in the midst of plenty,
the shadow of a furrow fine but fallow;
a vessel prized the more for being empty,
cup more coveted for being hollow.

To an Aging Dancer

Though angles
gain degrees,
curves loosen

and relax,
you are ever
the mirror's mistress.

Go and provoke that
still, smooth silver,
unsettle its

blank peace
with pivots
and pirouettes.

A Desert Vision

I lay down on a sandy hill
and this was something that I saw:
a young man came to work His will
and moved a people into awe.

He mastered an astounding range
of clever tricks and sleight of hand;
a thing to something else He'd change;
He spoke, but few could understand.

And there was something in His face,
a hint beneath that smooth aplomb,
of something other than the grace
that made the wind and waters calm.

And then some thought of subterfuge,
or some conniving trickery:
Him part and parcel of a huge
and sinister conspiracy.

And so they took Him to a hill
and bled Him from his hands and feet,
but people talk about Him still
and hawk His magic in the street.



 - I wrote this when I was calling myself an atheist. Interesting that now, when I am calling myself a Christian, a follower of Christ, that I made scant edits: to capitalize the pronouns referring to my Lord, to italicize the word 'some', meaning not all, to capitalize 'Grace', and to make a few grammatical changes, which may or may not be correct. This paragraph, and the aforementioned edits inside the poem, was added on 11.15.13, @ 4:19 PM.

On Edge on President's Day (2002)

I woke this morning to the baleful sound
of five explosions, sounding in rapid succession,
and the ringing of the telephone. Startled
and shaken from sleep, I parted the blinds,
and squinted into azure. No clouds flowered,

and no one scrambled in panic; nothing moved.
Trying to still my frenzied heart I tapped
the television on. No newsmen droned; ads flashed
their quick rhetoric. I pushed through the numbers,
thumb calmed by each assuring nudge. No bombs.

The unanswered caller left her mundane message.
I let the mystery linger, unapproached,
and left for work. No one had an anecdote.
Later I learned a pyrotechnic crew
had pissed away five novas in broad daylight.

Tryku

Under white
boughs cold thorns crack
grouse beats skyward

Paranoia

The shape of your breast
in pendant silhouette
torments barren hands.

The weight my palm has lifted
pulls toward the ground
and curves to rest,

coveted by eyes
that tick
in famished sockets.

Badge

I.

Yellow-jackets hidden in mud
in swamps, by still waters,
rose invisibly, hummed
around our knees, caked with mud,

when we went looking for frogs
that mated in murky ponds,
croaking in chorus. Our hands
smelled later of frogs:

we snatched their tacky bodies
and turned them over
to look at their white bellies,
whiter than our bodies.


II.

Boys are drawn to water
like zealous acolytes
to temples, anointed
by dark water

that stands too long, thick
with mucky green moss,
lichen, slippery stones
coated with slime as thick

as phlegm: freckled boys,
cowlicked, dressed in bold
striped pull-overs, mad
with the longing of boys

for dirt and tattered knees,
for the cloying benediction
of dirt and water. We wore
our wonder at the knees.

Blinds

What if I said that among your crowning virtues
are the shape of your mouth pronouncing spoon,
the bend of your neck, and the suggestive arc
of your brown and furrowed forehead when
you fasten a sandal buckle? You would level
your serious eyes no doubt, and your Latin tongue
would gather its quick strength and call it drivel.

You stand at the window, where the poolside palms
flicker through old cracked blinds, half-closed,
and men are tossing pruned fronds in a truck,
grunting in beery gutturals, their sculpted
brawn sheened with sweat. Now, should I complain,
you'd say, "they're butchering the trees", or, "Christ,
that noise", and squeeze the light out with the chain.

Christmas

The chime of distant churchbells weaves
through wintered woods where branches ache,
dressed in the last-remaining leaves
this stealing season's yet to take.

I hold that far, faint hint of bells
a paradigm of melody
until a bird in sonorous trills
sings from a spare and crooked tree.

"It's Always About You"

Never drive angry is something
you heard once. Your foot gets heavy,
tearing down back roads.

Pull over. It's warm enough to sleep here.
And quiet, though her voice keeps screaming.

See the rise of the eyeless moon:
indifferent silver, tangled in cloud.
Realize it was never a face
that could watch or follow you.

The deer in the field lift their heads,
then suddenly bound away,
their white tails wave like
kerchiefs over a ship's rail.

It's important to understand
they were not saying goodbye.

When I Think of Leaving

I see you with our son
in the crook of your arm,

your stern sidelong gaze
that begs for nothing;

and the boy is waving,
his small pink palm

empty, his smile
saying hello.

Moving

The car runs smoothly, tires hum
on tarmac preserved
by dry weather, infrequent traffic.

The radio blares in Spanish,
broken by static,
Latin polkas, frenetic accordians.

At a steady seventy, low hills
flecked with sagebrush
slide below an azure backdrop.

Dashes join in the distance:
behind me the road
gradually regains its curve.

I nudge the pedal, lean back
in the surge,
almost sure I'm moving.

Motels

These squat travelers' limbos
mark outskirts,
thinning city limits.

In winter, pools are holes,
cracked basins
ashened by chlorine.

Neon repeats its dull pulse,
blinks its characters:
the gaps are custom ry.

Rifle the room for gifts,
wafers of soap,
sealed plastic cups, prod

the bolted-down remote
for the benediction
of television, news from

faces of strangers. Sleep,
dream unhaunted.
No one ever lived here.

Relics

On the glamorless outskirts
Of Vegas I catch sunset's
flash off derelict cars
between two shanties.

Weeds overtake the grills,
fill in the shattered headlamps
of relics rifled and stripped
like steel cadavers.

Two days later I pass
again, east-bound.
The ancient heaps are
opened, their gutted

insides cluttered
with rows of ragged children
jostling for a turn
behind the wheels.

A Regret

He trundles sidelong like a drunken crab,
his cap skewed at a fetching angle, feet
fat from his mother's milk, and rose and white,
push-pull along the carpet; fingers grab
the walker's tray for balance, arms splayed wide.

The saddle that he rises out of keeps
him from calamity, from the collapse
of limbs that slacken quickly, unafraid.

He bumps and knocks until he swings the door,
then whines until I can't write; wounded eyes
make their appeal through tears until I rise
and nudge him back into the corridor,
for which he wails. His cries are genuine.

Dad pushed him out, who should have pulled him in.


Note: This poem is about my beloved and precious boy, Jordan. This edited in 11.15.13

Castaway

Your tender petals never furled in earth
although you trace your heritage to seed.
A husband's touch may bring their fragrance forth
and balm the air as rich as wine or mead.
They gloss and salve the cupping palm with oil
and slide between a thumb and index, slip
a grasp as cunning as a moth and foil
a suit, with one coy turning of a hip.

Anointed with your sea-salt, tinct with spray
no ocean birthed, my hand's disconsolate,
my brow is ruddy, and my mouth is wet.
I cannot sleep with you so far away,
your shoulder like an island cold and gray,
and me so weathered, and so desolate.



(written 2001 or 2002)


I want you back, my beloved wife, whom I did not honor enough...(11.1.2012)

Making

To make love: it sounds
as if something
should be there,
like a clay pot

baked, cooling, but there
is nothing. I catch
my breath like a man
boarding a train, and think,

that's what it's like:
a stunned tempering
of the knees, a warm,
unbalanced arrival.*




* Or, departure? As usual with me, this poem has something backwards about it. Edited in 11.15.13. Also, dropped the dangling 'of' in line 10 to the beginning of line 11. This was suggested by a critter at PFFA a long time ago which I think I adopted in the thread at the time but for some reason failed to carry over to this version. That error is now fixed. If and when I recall said critter's username, I'll edit that information in.

Mourning

We found the rabbit dying in the drive,
half of her body crushed. She had nearly made
her way to the cover of a hedge,
drawn by its arc of shadow. Blood in the gravel

marked her slow, deliberate passage,
now dry and pale in the sun. We crouched
in grief and whispered, not daring to touch
a thing so small at so bleak a threshold.

My sister went to the house and carried back
a plate of greens, as if that quiet
and far too well-composed mouth would open.

It didn't; but we saw the nostrils move
with one last twitch of reflex, and the eyes
rolled wide, in terror or astonishment.

Nesting

At last this chill; and yet
trees stay alive to fret
thin shadows through the blinds
and grid your fussy hands
that rifle a cabinet.

You kneel and rearrange
my things and make them strange.
The trees outside will bear
This slightly colder air,
accustomed to the change.

Spaghetti

The stranger at the gate stops,
adjusts his wilting hat brim,
not posing but composed: a

still-life, red complected,
hands hard, worn like boot-
heels. Smoke from a cheroot

rises, narrowing his vision,
but the eyes are like capers
black and dead as a doll's,

bottomless, unfathomed. The
dull thud of casement windows
coming to on cracked sills

heralds him, the small clicks
of cocked guns, curtains drawn.
The gate yawns. A jangle of spurs.

Para Mi Esposa

You kneel and faintly move
your cloying scent,
not cinnamon or clove,
Nor burning mint,

but earthen, like the dust,
or pungent brine;
or like the rain, or rust,
or musk of pine.

I cup my lips and quench
a parching thirst
while from your throat I wrench
a gasping burst

of Spanish expletives
that shock my wits;
and yet your grace survives
such aspirates.

The Interlopers

Above the open jars of condiments
Flies hum and hover, filthy little things
That swoop and carom on their gauzy wings.
These clumsy, buzzing interlopers fence
With swatting hands that threaten violence
But strike in vain: for each Quixote swings
A blink too late, and flashing wedding rings
Clack on the wooden bench in impotence.

These scavengers will make the most from least,
Are not averse to perching on a tear,
Or in the whorl of an unguarded ear.
I'll stay indoors, sequestered as a priest,
And all alone enjoy my holiday feast,
Apart from flies and inlaws, and warm beer.

It is Twice Blest

Now like the moon among a crowd of stars
or a naiad from water set upon by lilies
I'll have you rise from sleep, for the night adores
the flowering of all brighter presences,
imagines flames from any subtle spark
that burns in deepest cold. Should you awake
and light a cigarette at the foot of the bed,
let Fancy fashion how the wisps of smoke
might wind like ribbons around your lovely head.

Give me but leave to wonder, in my night,
how you pass yours. I will not have your hands
folded like unblown roses, out of light,
but in full flower, bewildering as wands;
and in the darkness should you think how sweet
is love and pity my cracked and foolish heart,
then, far from you, feeling a little peace,
it may well come to mend and gentlier beat
while I tell myself you are not merciless.

For Fashion's Sake

All morning long before her mirror
a girl with many colored combs
sat laboring at her yellow hair
and picked at breakfast's tea and crumbs.

The birds that by the window sang
furnished the somber boughs of trees
with gaiety enough to ring
a little louder than the breeze.

Now gold the leaves that fell to ground,
and now cascades of brittle red,
all put down gently by the wind
upon their kindred's wonted bed.

While earth, appareled like a girl,
at peace addressed the sun that day,
another, for an errant curl,
a wayward tress, could not be gay.
1986

Spiritual Fire

The silver-tongued seduction
has never been my trade,
nor plying suit that's braver
than what with eyes is made,

nor will I offer roses,
nor flatter overmuch,
however fine the feature,
to win a woman's touch.

Let Patience, then, sustain me,
O Muse, or move my station
a little nearer Pieria
where to intoxication

I'll tipple holy water
and drown the rat, Desire,
and let my heart burn only
with spiritual fire.

On an Electric Bug Zapper

I heard the laughter of a moth
as he alighted on my wrist
(he was as unafraid of death
as any blonde evangelist):

What is the benefit of age?
There is an end to every road.
I terminate my pilgrimage
kissing the warm blue face of God.

Talismans

Gamboling bombadils in
lathered boots cross acres
of marsh and wet woodland,
thin and goose-throated

they boast of ancient lineage
and croak in mad dactyls.
Crack-pated mermen dream
naked on green stones

of girls leaning gold braids
from high turret windows
with coronets for eyes
and breasts like white birds.

The basilisk collects our
tendered coins of passage.
We cross the bridge and march
into havens and kingdoms.

Spirit

This is the guy I was telling you about.
So I stepped through the door, a little
carnation in my lapel, a dapper Dan
shaking my chain. She liked my chin,
my charnel savvy. I left the room and returned
later in the afternoon.

There are other kinds of being I mentioned
down at the service station. Yassir Nawssir.
Top your fluids too, twunnynineniyniefie.
Tarmac glistened, rills crawled over the road.
Birds turned lazy circles: naahtsokay.
Gehenna's angels.

Wiped a clear wedge in the windshield
and noted all emergency phones.
Radials no good, car too long
in dry dock; a/c kaput, and heading
south: Yuma, then Abaddon.
Tapped harvest.

Hanging Around with Pat

It didn't matter if we were having dinner,
watching a film,
or just strolling along, Pat was a winner. Swans
have this aplomb too, and most morticians. We poured
spackle on his shoes, gave him purple
hermans through his blazer,
he just smiled and nodded, smooth as a balloon.
You didn't see his hands much, they were
usually in his pockets, fumbling with silver dollars.
He was taller than you might think.
I saw him duck
as we tooled under an overpass,
lips sealed like a stranger aiming a rifle. He never
told us where he lived, if he had a wife,
a girl or what. Of course
we never asked him.

He looked stony under palms, but it suited him.
You only saw his hands
when they were in the open,
or his face,
that smirk in half-bloom, and the eyes
that blinked two, maybe three times in a day.
I paused before I stepped on the pedal,
looked furtively in my rear-view.
He rocked on his heels, hands in pockets,
immaculate tie, suit still pressed.
He waved at people who passed along the freeway,
and even the dogs seemed to know him.
I hated to leave him on the side of the road,
his pantlegs ruffling in the wind.
We drove by [later that same evening]
but he was gone.

He always looks unreal on television,
like uncooked oatmeal; and his shifty eyes
avoid the camera, the constant blonde
who stares him down. Of course he's in love
with her. You can tell by his hands.

We started to doubt if it was Pat we courted
that night, bought supper for,
took to a film he strongly disliked.
He never actually said his name was Pat,
we just assumed.
I recalled next morning
the blush of a shadow on his cheek
and he never instinctively shooshed a clamor
of conversation.
She undid the top button of her blouse
but he never peeked, though
you could see the tension in his hands,
like stopping the spin of a fourteen pound ball
fresh out of the return.


We never watch the show now, having seen
the back of his head for more than thirty seconds,
having seen him sit down,
put his hand to his mouth,
politely clear his throat.

Falling in Love

No one did figure eights. When the pond froze
we walked under the trees around its edge
and looked for cracks, wondered if the ice
was solid, how thick, who would venture first.
No one we knew ever fell in through the ice,
but we'd heard stories we didn't need to hear
because in New York winter the cold
was cold enough. We took off our boots

and made too much of it, undid the laces
(that were so quickly knotted under roofs
burdened with new snow) with nimble
fingers limbered by central heating.
Someone always went first. Soon, the rub
of blades across the ice, the rub that made
a sound I can't compare another sound to,
signaled winter like a fanfare. So began

the criss-cross of lines, the powder gouged
by blades that sat the rest of the year out,
the meaty thud of elbows finding ice
less friendly than a road. With my hands
behind my back, each year before long
I got the manner of gliding back again
and swanned across the unruffled pond
that kept its dangers hidden under glass.

Where Shadows Crossed

where shadows crossed, where such tall houses leaned
like drunks, whose doors spilled tea-steam into dung
where horses clomped and paused, their bells at peace
that brought on silence like a Christmas scene

through windows wreathed with spurious drifts of snow
through curtains fringed with an electric light
of Yules that blazed eternal on black tape
wound back to spools like thread that brings to mind

the knitting needles and the crochet hooks
that crossed and crossed until the slow-made shapes
were born, each an epiphany, and yet

those scarves would never drape a grandchild's neck
though everyone pretended and were glad
to be so blest there, where the shadows crossed

Harsh Job Yen (J. Ashbery): Exercise

This sitting and typing, I'm done with it.
Dry brows in artificial light, the click
of calloused pads in shuttered rooms.
Shy monks stroll the boulevards, scribblers yawn
among pidgeons. There's no hunger without shape,
no ennui stranded in its vacuum.
I watched two men hauling garbage
behind the diner, mouths
pursed around their simple vowels. Qwerty
is enigma.

The higher primates will happen upon Lear
soon enough. I've had it.
I want inspector's gloves, safe temperatures,
bleach, fifty parts per million.
Quiddity waits in the third sink
in quaternary solution.
You kill mice.

The Shadow Men

Several men filed into a clearing
and some sat down to rest
on a hollow log covered
with green moss that most
would venture to say was green

and some saw men who levitated
seated on nothing but air
and quietly they were astonished
It did make a sound No it
did not it did did not

when out of the end of the hollow
log a mouse came
and some of the seven or nine men
saw the mouse and said
look it's a moose

You mean mouse
No I mean moose You're crazy
Look at the antlers
Some of the men saw nothing
and were deeply concerned

The fourteen suns arched slowly
the twelve suns ran quickly
the eight suns were still
The shadow men bickered and babbled
and some filed out of the clearing

Dream Fodder

Divide the flesh, pry skin
from linen wrested from its tuck,
roll back in the swim of sleep.

Unmind the knot between
the shoulders, niggling fist
that kneads the knuckled spine,

wink out the light that slants
through skewed blinds, a door's
click, the hiss of her water.

And down the road some dog's
nagging alarum filtered
through seven or nine houses

becomes a caw. Her knee's return
tilts a sea, the clock's tick
an even keel in cold salt.

A Warm Day in Winter

i get older, older than this mock summer who's young
always, ever the lamb that gambols, galumphs, white
and new & shining, for which is everlasting.
my bones are cold at dawn and crack like a ship

in a squall through chilling salt, though i am younger
than my father, whose hands are stronger. light,
like blood from a lemon, threads my eyes in oversleep
that greet the sun through injured gaps. light, my enemy.

o make me new, false summer, spurious spring,
but spare me flowers and the fawning of poets; bring
no birds with their calliopes of clamor, no doves,
no sparrows, no swallows; bring no bloodrush, no heart's

triphammering, no love's crush; only the reminder
of peace engendered by your generous fire that made
past mays more kind, when love brought belly-flutters
& handsweat, not this callous and creeping killing.

Circles: an Experiment

Brad tugged a cigarette from the box,
rolled it back up his short sleeve, flicked
a lighter open and birthed a cherry. He flexed
his tat for Audrey, whose backside tensed
in her pleated skirt.

Something in the efficient grumble of V-eights,
of a moon slipping down the arch of night,
pink so striking it cannot belong,
gum, lipgloss: signs and portents;
something in the meaty
compost of bodies, the music, the brawn of engines.

Audrey felt the chugging pistons knock,
the oily crowbar at the knees,
the stink of metal and heat. She kept her lips closed,
flipped her gum like a pancake, her tongue
flattened, pushed, until it hurt.

The bleechers shook, the young mothers
cupped their babies round the ears. Kerchiefs,
white tiaras, and the infinite blessing
of breathable cotton
walked in a pungent sheen
under the lights or did the seats a kindness
with a more mundane kind of shifting.

"So, they squeal around the track
like crazy planets, growl and bear their teeth,
push and bump and bang like toddlers
over a stuffed frog?"
"Stop being such a pain in the ass."

Epithalamium

At Matins,
pause. Doves
in covens congregate, and swans
complain.

Virgins in black
beckon with palaver,
murmur, simmer
in weather's swelter.

Cracked mirrors, lost connections,
clamour in pieces,
Pride undo, that vain adorning,
unmask the treble Graces.

Goose and gander, in planes
opposing, crush
the tenuous membrane,
concoct delerium,

dismantle the matrix.
Bell's cacophonous
pulse intones
Excaliburs, stilettos,

baubles and obols.
O brazen Philomel
perched in a pristine ilex,
preen and genuflect,

perfect the conflagration
of Aurora,
Beltane's fabulous
conjunction of azures.

Roads 1

roads:
to come through to
arrive to be at a place
here & now in the north
there the arrow points   >
upwards always further; though
a thread opens down &  outward
the same way: words gathering green
copied connected across down & outward
so to go up we dig down, remember and take w/
us all the things we have shined and tucked away to
remind and to keep us together bound in memories up




Nov 25 2010